Traditional and contemporary art of Kazakhstan

A Virtual Journey into the World of Kazakhstan’s Artistic Heritage

This Web Gallery presents the diversity of artistic practices in Kazakhstan, reflecting the continuity of cultural traditions and the dynamic development of contemporary creative processes. The virtual exhibition features works based on national images, symbols, and themes, as well as artworks by contemporary artists who reinterpret the country’s cultural heritage through contemporary artistic forms, expressive means, and modern technologies.

The selected works demonstrate the relationship between traditional and contemporary art, revealing the distinctive features of the national worldview, cultural identity, and cultural meanings. The presented materials allow viewers to trace how elements of historical and cultural heritage are reflected in contemporary artistic practice, while maintaining their significance and relevance in an increasingly globalized world.

The Web Gallery is aimed at promoting Kazakhstan’s artistic heritage, expanding public access to works of art, and fostering a lasting interest in national culture and art among a wide audience.

‘The Classics’ Farewell to the People’, 1997

Elena and Viktor Vorobyov • Performance

Elena and Viktor Vorobyov’s project ‘The Classics’ Farewell to the People’ was staged in 1997 in Almaty during the early days of contemporary art’s development, and was repeated in 1999 in Istanbul at the 6th Istanbul Biennial of Contemporary Art. The 1990s were a time of upheaval for the country, not only marking the collapse of the familiar social order, but also representing a historic turning point in the perception of classical harmony as the sole rational approach in art (from the Latin *classicus* – exemplary). One of the key signs of the changing life of the metropolis was the proliferation of spontaneous, unorganised markets. The artists’ creative concept lay in the practice of ‘sending a message’ to the people: they installed in the market scaled-down, wax-cast replicas of ancient sculptures (such as the Venus de Milo) in the form of candles, which, when lit at dusk, flickered with a gentle flame in the gathering darkness and slowly burned out, melting away before the eyes of a diverse crowd. Metaphorically and conceptually, this artistic performance conveyed a specific message – the passing of the familiar and the hope for the creation of something new in contemporary art.

Source: Art Discourse ’97