Traditional and contemporary art of Kazakhstan

A Virtual Journey into the World of Kazakhstan’s Artistic Heritage

This Web Gallery presents the diversity of artistic practices in Kazakhstan, reflecting the continuity of cultural traditions and the dynamic development of contemporary creative processes. The virtual exhibition features works based on national images, symbols, and themes, as well as artworks by contemporary artists who reinterpret the country’s cultural heritage through contemporary artistic forms, expressive means, and modern technologies.

The selected works demonstrate the relationship between traditional and contemporary art, revealing the distinctive features of the national worldview, cultural identity, and cultural meanings. The presented materials allow viewers to trace how elements of historical and cultural heritage are reflected in contemporary artistic practice, while maintaining their significance and relevance in an increasingly globalized world.

The Web Gallery is aimed at promoting Kazakhstan’s artistic heritage, expanding public access to works of art, and fostering a lasting interest in national culture and art among a wide audience.

Ongirzhiek

19th-century breast ornament. West Kazakhstan. Silver, gilding, stamp, glass. A. Kasteyev National Museum of Arts of the Republic of Kazakhstan

Ongirzhiek, a plate-and-pendant-style breast ornament. The artefact belongs to the category of ceremonial and status-symbol neck and chest ornaments that formed part of women’s attire and served both decorative and protective functions.The design consists of a vertically oriented composite structure made up of three rectangular plates connected by chain links. The upper plate is fitted with fastenings for suspension. The lower part is finished with a system of pendants featuring teardrop-shaped elements. The connecting chains ensure the structure’s mobility.The composition is built on a strictly axial principle with a pronounced vertical orientation. The plates are arranged sequentially, forming an elongated shape accentuated by the rhythmic vertical lines of the chains. Each plate has its own ornamental centre, yet the entire composition is perceived as a unified whole thanks to the repetition of motifs and symmetry.The ornamental scheme combines geometric and stylised floral motifs. The surface of the plates is filled with stamped ornamentation featuring oval medallions and linear, zigzag-shaped elements. The central glass inlays serve as colour accents and emphasise the compositional centres. The gilding enhances the decorative expressiveness and creates a contrast with the main silver background.The pendant elements serve a decorative and acoustic function, creating movement and a sound effect when worn. Overall, the piece demonstrates the complex multi-part structure and rich ornamentation characteristic of the West Kazakh tradition, reflecting the high status and significance of the ornament within the costume ensemble.