Traditional and contemporary art of Kazakhstan

A Virtual Journey into the World of Kazakhstan’s Artistic Heritage

This Web Gallery presents the diversity of artistic practices in Kazakhstan, reflecting the continuity of cultural traditions and the dynamic development of contemporary creative processes. The virtual exhibition features works based on national images, symbols, and themes, as well as artworks by contemporary artists who reinterpret the country’s cultural heritage through contemporary artistic forms, expressive means, and modern technologies.

The selected works demonstrate the relationship between traditional and contemporary art, revealing the distinctive features of the national worldview, cultural identity, and cultural meanings. The presented materials allow viewers to trace how elements of historical and cultural heritage are reflected in contemporary artistic practice, while maintaining their significance and relevance in an increasingly globalized world.

The Web Gallery is aimed at promoting Kazakhstan’s artistic heritage, expanding public access to works of art, and fostering a lasting interest in national culture and art among a wide audience.

Women’s belt

Late 19th–early 20th century. Zhetysu. Leather, metal, carnelian, casting, stamping, blackening, engraving. A. Kasteyev National Museum of Arts of the Republic of Kazakhstan

Aiyel beldigi (women’s belt) with metal plates and buckles. The item belongs to the category of decorative and status-symbol belt ornaments, which were an important element of women’s costume and served both utilitarian and representational functions.The design consists of an elongated leather base to which a system of metal plates is attached. The edges of the belt are finished with substantial buckles featuring carnelian inlays, which secure the item to the body. The plates are evenly distributed along the entire length, forming a continuous decorative row.The composition is structured according to a linear-axial principle with a clear rhythmic organisation. The central axis is emphasised by the sequential alternation of large and small elements. The buckles at the ends of the belt serve as compositional accents, closing the structure.The ornamental system is based on a combination of geometric and centric motifs. The metal plates are designed as circular and multi-part compositions with concentric elements. The engraved and blackened decoration enhances the contrast and emphasises the structure of the ornament. Carnelian inlays provide colour accents and enhance the piece’s expressiveness.Overall, the belt demonstrates a tendency characteristic of the Zhetysu region towards a clear rhythmic organisation, a combination of functional design with rich ornamental decoration, and the active use of contrasting materials and textures.