Almaty. Sounds of the City, 2020.
Nadezhda Abisheva
The work consists of two interrelated elements: a stylised central figure and a hand separated from it, formed into an ‘OK’ gesture. This division of form creates an effect of fragmentary perception — as if the image of the city were ‘assembled’ from separate sound impulses. The visual structure depicts the face in a generalised manner: with closed eyes and a slightly parted mouth, which may be associated with a state of listening, inner perception or sonic vibration. It is a meditative image capturing a reaction to the urban environment. The hand, depicted separately, becomes an independent element of meaning: it can be interpreted as a sign of ‘tuning in’, ‘capturing a signal’ or ‘catching sound’, which reinforces the work’s concept as an audiovisual translation of the city. The contrast between colour accents and textures emphasises the multi-layered nature of the perception of the urban environment.