Dish. Talgar settlement
From the book: Artistic Culture of Central Asia and Azerbaijan, 9th–15th Centuries. Volume II. Glass. — Samarkand-Tashkent: MICAI, 2011.
The dish belongs to the category of unpainted tableware, in which the primary aesthetic significance is attributed to the purity of the material and the expressive play of light on its surface. The absence of ornamentation is compensated for by the delicate craftsmanship of the form: concentric circles in the central part create a strict, geometrically precise composition, reinforcing the sense of order and harmony.Technological features suggest the use of the free-blowing technique. This method of production required a high level of skill, enabling the creation of elegant yet functional items for everyday use.The artefact has survived to the present day in a fragmented state and has undergone scientific restoration. The fragments have been carefully assembled, matched and secured to a transparent backing, making it possible to reconstruct the dish’s original form and ensure its integrity for display.