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Traditional and contemporary art of Kazakhstan

A Virtual Journey into the World of Kazakhstan’s Artistic Heritage

This Web Gallery presents the diversity of artistic practices in Kazakhstan, reflecting the continuity of cultural traditions and the dynamic development of contemporary creative processes. The virtual exhibition features works based on national images, symbols, and themes, as well as artworks by contemporary artists who reinterpret the country’s cultural heritage through contemporary artistic forms, expressive means, and modern technologies.

The selected works demonstrate the relationship between traditional and contemporary art, revealing the distinctive features of the national worldview, cultural identity, and cultural meanings. The presented materials allow viewers to trace how elements of historical and cultural heritage are reflected in contemporary artistic practice, while maintaining their significance and relevance in an increasingly globalized world.

The Web Gallery is aimed at promoting Kazakhstan’s artistic heritage, expanding public access to works of art, and fostering a lasting interest in national culture and art among a wide audience.

Carpet with ornament Shatyrgul 20th c.

2nd half of the 20th century. Kyzylorda Region. Wool yarn, pile weaving. 203×303. KP 27001. (Catalogue, 55)

Carpet with ornament Shatyrgul 20th c.

The carpet shown is decorated with four large ‘shatyrgul’ rosettes, which are arranged in a horizontal composition, with each occupying approximately equal space. Between the main rosettes are additional smaller geometric patterns, creating an effect of rhythmic repetition and visual balance.Exactly in the centre, the weaver has placed realistic figures of birds perched on a flowering branch across the top of the carpet. The carpet is framed by several rows of borders featuring small, repeating geometric motifs — triangles, zigzags and diamonds. These act as a protective barrier, enclosing the central field and reinforcing the overall composition. It is noteworthy that arrow-shaped figures are depicted along the edges of the central field.