Infinity, 2002. Tapestry, weaving
Raushan Bazarbayeva
The composition is built around a spiral structure receding into the depths of space. From a semiotic perspective, the spiral functions as an archetypal symbol of cyclicality, continuous movement and cosmogonic development. In the Turkic visual tradition, this form is associated with the idea of the eternal cycle of life and the connection between earthly and cosmic principles.The images of white horses dynamically traversing the composition’s space serve as symbols of freedom, vital energy and the spiritual memory of steppe culture. Their movement along the spiral reinforces the sense of an endless temporal flow, transforming the composition into a metaphor for eternal return.The colour palette is based on the contrast between a deep blue background and glowing orange-yellow circles. The colour blue is interpreted as a symbol of the boundless expanse of the sky and metaphysical depth, whilst the warm accents of light are reminiscent of solar discs or celestial bodies, forming an image of the universe as a living, energetic system. The colour scheme creates an effect of inner radiance, enhancing the sense of the space’s sacredness.The technique of hand-weaving itself also plays an important role. The tapestry’s material texture emphasises the connection between traditional craftsmanship and contemporary artistic thinking. The rhythm of the interwoven threads becomes a visual equivalent of the passage of time.