Triptych. Qanbak-2, 2019. Oil on canvas. From the artist’s personal archive
Taken Zhamila
The work is an expressionistically rendered visual metaphor for collective movement.Compositionally, the work is dominated by the frontal movement of the flock, which draws the viewer into the pictorial space and actualises the motif of transcending the boundary between the depicted and the perceiver. In the background, a monumental arch, interpreted as an entrance to a sacred space, introduces the semantics of transition and threshold, reinforced by the radiant structure of light as an index of the ‘other’ or of a transcendent space.Symbolically, the sheep in this system of signs act as a collective subject, associated with a people in a state of movement, search or trial. The title ‘Qanbak’ (tumbleweed) reinforces the motif of existential instability.The colour scheme of the painting is based on the contrast between a warm, fiery, saturated background and the cool emerald-turquoise tones used to render the animal figures.