‘Qara Shapan’Location: Almaty, junction of I. Panfilov Street and Kabanbay Batyr StreetSource: NUR.kz
Syrlybek Bekbotaev
The key artistic technique of the work is the principle of ‘absent presence’. The sculpture reproduces the silhouette of a person sitting in the traditional maldas quru posture (with crossed legs), yet the figure itself is absent: the viewer is presented only with a Shapan that retains the shape of a human body. The empty interior space takes on a meaning of its own, becoming a metaphor for memory, spiritual heritage and collective identity. As a result, the work draws the viewer into the process of interpretation, inviting them to mentally fill the void with their own cultural associations.The openwork structure of the form lends the work particular expressiveness. The sculpture is created from an interweaving of metal rods and wire, forming a complex mesh-like surface. This texture evokes associations with felt fibres, a bird’s nest or natural organic structures. The light filtering through the numerous openings dematerialises the volume, stripping it of its heaviness and creating an effect of airiness and openness.