Buffalo, 2009. Chamotte, porcelain. Source: https://artego.kz
Artem Gorislavets
The composition is built on the contrast between the massive, almost geologically ‘rough’ body and the smooth, curved tusks made of white porcelain. The animal’s form is highly generalised: there is no detailed anatomical rendering; instead, the artist employs a concise, almost archetypal model of the beast.The image of the buffalo (or a conventional large ungulate) is interpreted not as a realistic depiction, but as a symbol of strength, primal energy and stability. The tusks sprouting from the body reinforce the sense of monumentality whilst simultaneously lending the work an almost totemic character.