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Traditional and contemporary art of Kazakhstan

A Virtual Journey into the World of Kazakhstan’s Artistic Heritage

This Web Gallery presents the diversity of artistic practices in Kazakhstan, reflecting the continuity of cultural traditions and the dynamic development of contemporary creative processes. The virtual exhibition features works based on national images, symbols, and themes, as well as artworks by contemporary artists who reinterpret the country’s cultural heritage through contemporary artistic forms, expressive means, and modern technologies.

The selected works demonstrate the relationship between traditional and contemporary art, revealing the distinctive features of the national worldview, cultural identity, and cultural meanings. The presented materials allow viewers to trace how elements of historical and cultural heritage are reflected in contemporary artistic practice, while maintaining their significance and relevance in an increasingly globalized world.

The Web Gallery is aimed at promoting Kazakhstan’s artistic heritage, expanding public access to works of art, and fostering a lasting interest in national culture and art among a wide audience.

Kapsyrma

North Kazakhstan. Silver, carnelian, repoussé, blackening, stamping. A. Kasteyev National Museum of Arts of the Republic of Kazakhstan

Қапсырма (застёжка для фиксации одежды)

Kapsyrma (clasp). The item is a belt fastening element that serves to secure the garment whilst simultaneously providing a decorative accent to the central part of the costume. Structurally, it consists of two rounded flaps connected by a hinge mechanism, ensuring both mobility and a secure fastening.The composition is based on the principle of axial symmetry. Each flap has an almost circular silhouette with lateral projections, forming a single shape when closed. The central sections are adorned with carnelian inlays, set in sockets with serrated edging and crossed by a horizontal metal bar that serves a structural and securing function.The ornamental structure consists of radially arranged elements: concentric zones with a ray-like relief are combined with protruding hemispherical details. The blackening technique enhances the depth of the design and emphasises the sculptural treatment of the surface.Technologically, the piece demonstrates a combination of stamping, which forms the base, and embossing, which refines the relief elements. Blackening is used to create a contrasting graphic effect, whilst carnelian inlays introduce a colour accent into the composition.Overall, the clasp reflects the orientation towards a centred composition with a distinct decorative core, characteristic of the North Kazakhstan tradition, where structural elements are organically integrated into the artistic design of the piece.