Prayer, 2019. Source: https://focusgallery.kz
Zhanna Nugerbek
In this work, the image of the person at prayer is highly generalised and devoid of individualised features, thereby lending the figure an archetypal and universal character. The artist deliberately eschews a detailed portraiture approach, shifting the viewer’s attention from a specific individual to a state of spiritual devotion and inner contemplation. The material—shamota clay—and the technique of hand-modelling play a key role in shaping the artistic image. The rough, uneven texture, with its natural cracks and traces of hand-modelling, reinforces the sense of authenticity and primal simplicity. The surface seems to retain the memory of earth and fire — the two natural elements involved in the creation of ceramics. The colour scheme retains the natural warm tone of fired clay.